Archaistic Rosso Antico Herm Head of Dionysus

Description

Dionysus, the god of wine, is portrayed frontal, looking forward. His hair is tied with a thick fillet with two rows of locks across his forehead. He has a long moustache and a square beard composed of curving locks. The face with arched eyebrows, large eyes sockets, pronounced cheeks, straight nose and a smiling mouth with fleshy lips. The Archaistic head is inspired by the Greek Archaic style, frontal and frozen, with stylized features and smiling mouth. It has a strong and majestic expression.

Reference: Cf. Anderson M. L., Nista L. (Eds.), Radiance in Stone. Sculptures in Colored Marble from the Museo Nazionale Romano, De Luca Edizioni d’Arte, Rome, 1989, p.72, fig. 9.

REFERENCE #

SI_RM_1081

CIVILIZATION

Roman, 100 C.E. – 200 C.E.

SIZE

H. 10.2 cm

CONDITION

Missing inlayed eyes and lower part of beard, chipped at the back of the upper part.

PRICE

Price available upon request

Banded Agate Necklace with 22K Gold Inserts

A very beautiful Byzantine banded multi shaped Agate beads necklace with 22K gold leaf covered diamond shaped inserts

REFERENCE #

JW_RM_1018

CIVILIZATION

Byzantine Period, 600 C.E. – 700 C.E.

SIZE

L. 47 cm

CONDITION

Excellent condition

PRICE

$2500

PROVENANCE

The Baidun Collection

Sale!

Banded Alabaster Egyptian Mace Head

Original price was: $2,000.00.Current price is: $1,850.00.

Description

This commanding alabaster mace head exemplifies the artistry and technical skill of Egyptian stone‑workers of the Middle Bronze Age. Crafted from fine, dense alabaster, the piece presents a rounded, slightly pear‑shaped mass terminating in a short, tapering socket for hafting; its surfaces are smoothly finished to reveal the stone’s subtle veining and a soft, satin-like luster. Measuring approximately [dimensions available on request], it is a compact yet powerfully rendered implement.

The most striking feature of the mace head is its sculptural silhouette and the careful modulation of form between the striking face and the haft socket, which together create a balanced, purposeful object. The workmanship demonstrates mastery of stone‑shaping techniques, with precise contouring and evidence of controlled tool work around the socket and perimeter. Minor surface abrasions and faint impact marks may be present, consistent with functional use, while surviving tool marks are minimal and secondary to the overall polished presentation.

This object likely served both practical and symbolic roles: employed as a percussive weapon in conflict or as a status emblem and ceremonial object signaling authority and power. The selection of alabaster—a prized material—speaks to the prominence of its owner and the value attributed to finely

REFERENCE #

WP-PR-1002

CIVILIZATION

Egyptian, Circa 2100 B.C.E. – 1550 B.C.E.

Time Of Abraham

SIZE

L. 5cm

CONDITION

Fine condition

PRICE

$1850

PROVENANCE

The Baidun Collection

Sale!

Bronze Double-Headed Bull Mace Head

Original price was: $30,000.00.Current price is: $25,000.00.

Description

This Elamite Bronze Double-Headed Bull Mace Head, originating from the Near East region circa 2100–1550 B.C.E., is a striking example of ancient artistry and symbolism. The mace head features two imposing bull heads sculpted with remarkable detail and power, with their facial features exuding strength and dominance.

The bulls’ horns and expressions reflect the reverence for these animals in ancient cultures, often symbolizing fertility, power, and protection.

The handle, crafted in an openwork lattice style, showcases the artisan’s advanced skill in metalworking. The lattice pattern adds both aesthetic beauty and functional lightness to the piece. Though one of the bulls’ ears shows an ancient loss, the artifact remains in fine condition, its surface adorned with a rich natural patina, adding to its historical authenticity and appeal.

In the ancient Elamite kingdom, bulls were potent symbols of strength, fertility, and divine power, often associated with deities and rulers. This double-headed bull mace head likely held ceremonial or ritual significance, symbolizing authority, protection, or a connection to the divine. Its exquisite craftsmanship speaks to the advanced skills of the ancient Near Eastern metalworkers and their ability to imbue objects with profound cultural meaning.

REFERENCE #

WP_AT_1001

CIVILIZATION

Persian, Middle Bronze 2100 B.C.E. – 1550 B.C.E.

SIZE

L. 19 cm, W. 13 cm

CONDITION

Fine condition.

PRICE

$24850

Bronze Etruscan Harpago

Description

This female body is an interesting example of a Roman sculptor playing with the form of fabric as it drapes in thick folds over this woman’s strong figure. The head of this sculpture has been lost to time, yet we are able to understand that the woman we look upon was of a high standing due to her lush clothing and upright stance.

The skill of the sculptor who carved this piece is seen in the movement of the woman’s himation, or draped robe, as it both cinches below her bosom and sweeps across her waist as it is held back by her right hand. The result is a beautiful statement that highlights her full figure even under the weight of her thick robe.

REFERENCE #

SI_RM_1068

CIVILIZATION

Roman, 200 C.E. – 300 C.E.

SIZE

H. 66 cm

CONDITION

Fine condition

PRICE

$85,000

Sale!

Bronze Figurine of Horus as a Falcon

Original price was: $49,000.00.Current price is: $45,000.00.

Description

Solid cast, the bird is shown in a typical pose, wings crossed over the tail with the feathers all cleanly incised. It wears the double crown of Egypt and traces of gilding remains scattered over the surface. This probably once decorated the top of a sarcophagus.

The so-called Horus falcon is one whose characteristics do not conform exactly with any of the four species known to the Egyptians: it is an idealized falcon with elements inspired by more than one of the predatory birds. The falcon was revered from earliest times for its awesome climb into the heavens and its headlong yet sure swoop upon its prey. The earliest element of the royal titulary, which officially proclaimed the ruler’s name, was the Horus name by which the holder of the royal office and the royal bird were indissolubly linked. Horus was essentially protective of the king and so an image of a falcon held an inherent concept of protection. But in one creation legend, the creator god was held to be a falcon whose outspread wings formed the vault of heaven, his two eyes being the sun and moon. Thus the image of the falcon was also strongly associated with creation and regeneration.

Not surprisingly it was a form adopted by a number of Egyptian gods. Even the name Horus refers to more than one deity since Horus of Edfu, Horus the son of Isis and Osiris and Horus the Elder are three completely separate gods with only the name in common; all could manifest themselves as a falcon. In addition, the sun god Re, Monthu the Theban war god, Sokar the Memphite funerary god, Khonsu of Thebes, even one of the Sons of Horus called Qebhsenuef could appear as falcons or falcon-headed (and there are others), with only special attributes to help distinguish each from the other and the multiplicity of Horuses. If none of these distinctive features is present and there is no inscription, identification of a falcon as being the manifestation of a specific deity is frequently impossible.

REFERENCE #

SI_EG_1047

CIVILIZATION

Egyptian, 26th/30th Dynasty, 664 B.C.E. – 342 B.C.E.

 

SIZE

H. 14.4 cm

CONDITION

Excellent condition

PRICE

$45,000

PROVENANCE

Former French private collection, acquired ca. 1970. French Passport # 128908

Sale!

Bronze Handle in the Shape of a Lion’s Head

Original price was: $28,000.00.Current price is: $25,000.00.

Description

Here we see a bronze handle with a lion’s head holding the bronze ring from its mouth. This handle was cast sometime between 100 C.E. – 300 C.E. and depicts the lion in a highly realistic manner with much care given to the proportion of its protruding snout, fierce teeth, and vibrant mane. The heads of two iron nails remain from where the handle was hammered onto the surface from which it rested against. A series of concentric circles frame the lion’s head with beautiful precision, while the handle’s ring is fully intact and symmetrical.

This piece is in excellent condition and has a diameter of approximately 13 cm. The bronze has been cleaned and cared for, and all of its original details remain as fresh as the day they were cast. The lion has long been a symbol of strength and pride, and this piece continues to resonate across two thousand years of history.

REFERENCE #

SI_RM_1063

CIVILIZATION

Roman, 100 C.E. – 300 C.E.

SIZE

D. 13.7 cm

CONDITION

Fine condition

PRICE

$25,000

Bronze Imperial Roman Bull Stomping Hoof

Description

This incredible Bronze Imperial Roman Bull statuette dating from 200 – 300 C.E. is decorated with two stylized markings on its flanks and one large ribbon across its torso.  The bull’s powerful stance is accentuated by his head that is turned, as well as his front left leg that is raised in an aggressive stomping motion.  Additional decorations are present on the bull’s head in the form of decorous curls.  This Bronze Imperial Roman Bull statuette was part of a composed relief depicting a procession that leads to the sacrifice of the bull which was performed for the welfare of the Roman empire.

For more than 5,000 years, bronze and other copper alloys have been essential materials used to create everything from life-size sculptures to objects of daily life such as weapons, jewelry, tableware, and as featured here:  This incredible Bronze Imperial Roman Bull statuette.  Similar pieces are found in museums such as the Met Museum in New York City, but few found are as majestic and powerful as this piece.

Roman Bull in Cult of Magna Mater (Great Mother of the gods) Cybele

The religious practices of the Roman Empire of the 2nd to 4th centuries C.E. included the taurobolium, in which a bull was sacrificed for the well being of the people and the state. Around the mid-2nd century C.E. the practice became identified with the worship of Magna Mater (i.e. the Great Mother of the gods, Cybele), but was not previously associated only with that cult (cultus).

After 159 CE all private taurobolia inscriptions mention Magna Mater.  Public taurobolia enlisting the benevolence of Magna Mater on behalf of the emperor became common in Italy, Gaul, Hispania, and Africa. The last public taurobolium for which there is an inscription was carried out at Mactar in Numidia at the close of the 3rd century C.E. It was performed in honor of the emperors Diocletian and Maximian.

 

Roman Bull in Eastern Cult of Mithras

Another Roman mystery cult in which a sacrificial bull played a role was that of the 1st-4th century C.E. Mithraic Mysteries.  The cult of Mithras was very popular throughout the Roman Empire and was followed especially by soldiers.  It was one of several eastern cults that spread rapidly as a result of the Pax Romana (Roman peace) – others included the worship of Jupiter Dolichenus, Manichaeism, and of course Christianity.

Shrouded in secrecy, ancient mystery cults fascinate and capture the imagination.  Like all Greco-Roman mysteries, the cult of Mithraic Mysteries was limited to initiates, and there is very little known about the cult’s beliefs or practices.  In the so-called “tauroctony” artwork of that cult (cultus) – and which appears in all its temples – the god Mithras is seen to slay a sacrificial bull. The tauroctony should not be confused with a “taurobolium”, which was an actual bull-killing cult act performed by initiates of the Mysteries of Magna Mater, and has nothing to do with the Mithraic Mysteries.

Although there has been a great deal of speculation on the subject, the mystery that the tauroctony scene was intended to represent remains unknown.  Like the other ancient “mystery religions” such as the Eleusinian mysteries and the mysteries of Isis, Mithraism maintained strict secrecy about its teachings and practices, revealing them only to initiates. As a result, reconstructing the beliefs of the Mithraic devotees has posed an enormously intriguing challenge to scholarly ingenuity.

Owing to the Mithraic cult’s secrecy, we possess almost no literary evidence about the beliefs of Mithraism. The few texts that do refer to the cult come not from Mithraic devotees themselves, but rather from outsiders such as early Church fathers who mentioned Mithraism in order to attack it, as well as from Platonic philosophers who attempted to find support in Mithraic symbolism for their own philosophical ideas.

However, although our literary sources for Mithraism are extremely sparse, an abundance of material evidence for the cult exists in the many Mithraic temples and artifacts that archaeologists have found scattered throughout the Roman empire – from England in the north and west to Palestine in the south and east.  The temples – called mithraea by scholars – were usually built underground in imitation of caves.  These subterranean temples were filled with an extremely elaborate iconography: carved reliefs, statues, and paintings – depicting a variety of enigmatic figures and scenes. This iconography is our primary source of knowledge about Mithraic beliefs, but because we do not have any written accounts of its meaning the ideas that it expresses have proven extraordinarily difficult to decipher.

 

Sources:

1.) Met Museum – Bronze Statuette of Bull

2.) Met Museum – Bronze Plaque of Mithras slaying the bull

3.) Met Museum – Mystery Cults in the Greek and Roman World

4.) Harvard Art Museums – Ancient Mediterranean and Near Eastern Bronzes

5.) Wikipedia – Sacred Bull Roman Empire

6.) Wikipedia – Taurobolium

7.) Wikipedia – Magna Mater, Cybele

8.) Wikipedia – Tauroctony

9.) Wikipedia – Pax Romana

10.) Ulansey, D., “The Origin of Mithraic Mysteries”, 1991; and
  Ulansey, D., “Solving the Mithraic Mysteries” within:  Biblical Archaeology Review, vol. 20, #5 (September/October 1994) pp. 40-53

11.) The Tertullian Project – The Roman Cult of Mithras

 

REFERENCE #

SI_RM_1085

CIVILIZATION

Roman, 200 C.E. – 300 C.E.

SIZE

H. 16 cm

CONDITION

Fine condition

PRICE

Price available upon request

PROVENANCE

The Baidun Collection, Ex German Private Collection, acquired in the 1980’s

Canaanite Bronze Sickle Sword

Canaanite bronze sickle sword. The sword blade curves for two thirds of its length but is straight at its lower end. The handle has raised edges and ends in a “comma” to ensure the grip.

Reference: Y. Yadin, “The Art of Warfare in Biblical Lands” (London, 1963), p. 207

REFERENCE #

WP_MS_1001

CIVILIZATION

Canaanite, Late Bronze 1400 B.C.E.

SIZE

L. 56 cm

CONDITION

Fine condition

PRICE

Sold

Canaanite Chocolate and White Ware Jug

Canaanite artisans were prolific, and their pottery came in an array of fantastic shapes, colors and sizes. This white ware jug is no exception, its ghostly exterior marked with dark brown lines that zigzag across the top half of its bulbous body. A wide base supports the body itself, while the short neck above ends at a large flat mouth.

A handle rises abruptly from the body and connects at the neck’s base, making a sturdy loop for the well-worn hands of an ancient Canaanite

REFERENCE #

KB_PT_1261

CIVILIZATION

Late Bronze Age IA, 1530 B.C.E. – 1480 B.C.E.

SIZE

H. 15.5

CONDITION

Fine condition

PRICE

Price available upon request

Canaanite Chocolate and White Ware Loop Footed Jar

The distinctive base of this Canaanite jar is made of three looped legs that prop the body up in tripod-like fashion. The design is more aesthetically pleasing than innovative, yet the rest of the jug was carefully made to exacting standards that allowed for the flawless curves of its white ceramic exterior.

The upper half of the jug is decorated with chocolate brown bands that alternate between straight lines and tightly wound zigzags. The overall effect is an ancient artifact imbued with a timeless sense of artistry and originality.REFERENCE #

KB_PT_1302

CIVILIZATION

Late Bronze Age IA, 1530 B.C.E. – 1480 B.C.E.

SIZE

H. 20 cm

CONDITION

Fine condition

PRICE

Price available upon request

Canaanite Large Decorated Spear Head

This magnificent leaf-shaped spear head was made by the Canaanites in the mid to late 2nd millennium B.C.E.. It displays excellent engineering and structural elements, particularly in terms of the bilateral central longitudinal fortified rib, widening to a broad tabular section at the butt end which was used to haft the spear head onto the shaft. The body tapers in both frontal and lateral profiles, making it a lethally effective weapon. The size also counts against anything other than a martial function, while the status associated with both warriors and large quantities of bronze (an expensive commodity at the time) marks it out as an important artifact.

Where found in context, such pieces are typically associated with prestige graves, and it would appear that they were probably as important in terms of appearance (i.e. conspicuous governance and threat) as in their evident lethality in combat. Indeed, at almost half a metre long, this piece would have been a very imposing item at the time of its manufacture, as indeed it is now. There is considerable evidence for diversity of manufacture across the Canaanite area, perhaps reflecting something of the modular yet martial nature of the time.

The Canaanites were one of the ‘tribal’ groups of what was to become Israel, Palestine and Jordan, who had their cultural roots in the Neolithic revolution when agriculture revolutionised Near East economics. By the Bronze Age the stability of the area and their position between great trading powers – notably Egypt and Mesopotamia – made them prosperous and culturally diverse, and was a high point for artistic creation. The culture contracted with economic issues suffered by Egypt and the Mesopotamians, and went through a collapse at the end of the Bronze Age due to a combination of ‘Sea People’ invasions, environmental meltdown and internal troubles in Egypt leading to loss of infrastructure throughout the Near East. Their resurgence of power in the Iron Age was matched by that of the Ammonites and Moabites, among others, and the region eventually came under control of the Neo-Assyrians by the mid 8th century B.C.E.. Such symbols of conspicuous consumption and authority are rare, especially in this excellent state of preservation and exquisite patination. This is an attractive and elegant piece of ancient art.

REFERENCE #

WP_PR_1043

CIVILIZATION

Canaanite, 1400 B.C.E. – 900 B.C.E.

SIZE

L. 47.5 cm

CONDITION

Fine condition

PRICE

Price available upon request

Canaanite Loop Footed Painted Jar

A Canaanite loop footed painted jar

 

REFERENCE #

KB_PT_0060

CIVILIZATION

Middle Bronze Age, 1700 B.C.E. – 1600 B.C.E.

SIZE

H. 26.5 cm

CONDITION

Fine condition

PRICE

Price available upon request

Canaanite Red Slip Spouted Jar

The natural polish of this red slip spouted jar shines brightly even under the softest of lights. The large ovoid body of this piece has no neck, but instead a flattened ring atop its mouth and a bent spout with a small hole for measured pouring. This suggests an efficiency commonly found throughout the arid regions of ancient Canaan, when water and wine were too important for the casual spill.

 

REFERENCE #

KB_PT_0597

CIVILIZATION

Early Bronze Age, 3500 B.C.E. – 3000 B.C.E.

SIZE

H. 23 cm

CONDITION

Fine condition

PRICE

Price available upon request

Ceramic Canaanite Spouted Bowl

Wide Canaanite terra-cotta bowl with a single large spout protruding at a 45-degree angle from halfway up the body. The body tapers to a flattened base while the large mouth lacks embellishment. Monochrome paint marks the body’s upper half in parallel lines that intersect in diagonal planes.

REFERENCE #

KB_PT_2901

CIVILIZATION

Early Bronze Age, 3500 B.C.E. – 3000 B.C.E.

SIZE

L. 18 cm

CONDITION

Repaired

PRICE

Price available upon request

Ceramic Fenestrated Ceremonial Stand

A ceramic fenestrated ceremonial stand

REFERENCE #

KB_PT_0040

CIVILIZATION

Chalcolithic Period, 4000 B.C.E. – 3500 B.C.E.

SIZE

H. 27 cm

CONDITION

Fine condition

PRICE

Price available upon request