Amphoriskos are shortened versions of the classic amphora, jars with two handles located on either side of the neck. This particular piece is about 19.5 cm in height, not large by traditional standards, yet still smaller than the massive amphora meant for storing water in the arid climate of the ancient Levant.
This beautiful red slip amphoriskos comes from the ancient Israeli city of Samaria, located just west of the Jordan River. Dating from approximately 900 B.C.E. – 800 B.C.E., this piece was made well before the Roman occupation of the region that eventually led to the first Great Jewish revolt.
This large glass bowl comes from Samaria, the capital of ancient Israel in the 9th century B.C.E. and 8th century B.C.E.. Located just west of the Jordan River, Samaria was a vibrant city for many centuries; its history is recounted in the Old Testament book of Kings. It experienced many invasions over the intervening centuries located as it was in the strategic mountains of Judea.
By the time this beautiful aquamarine bowl was blown, Samaria had come under Roman rule, a period of great innovation as new Roman technology filtered throughout the region.
The craftsmen of Ancient Rome were constantly innovating to perfect their methods, while reaching new heights of early artistry. The swooping ribbons on the body of the amber glass jar may seem like a simple stylized effect, yet it represent the fine work of a dedicated glassblower using the most rudimentary of tools to create a truly unique piece of filled with ancient beauty.
Only 7 cm in height, this squat jar would have held the perfumes or ointments used daily to embellish the scent or cheeks of an ancient Roman citizen.
This elegant translucent alabaster perfume flask exemplifies the artistry and craftsmanship of Israelite artisans of the Iron Age, First Temple Period. Crafted from fine, translucent alabaster, the flask presents an ovoid body with a narrow, well‑formed neck and a gently everted mouth, its surface smoothly polished to reveal the subtle veining and soft luminosity of the stone.
The most striking feature of the flask is its delicate, refined profile and the way the translucent material captures and diffuses light, lending a quiet, luminous quality to the form. The workmanship demonstrates mastery of stone‑carving techniques, with a precise, symmetrical shape and a satin finish that highlights the inherent beauty of the alabaster. Any surviving tool marks are minimal and secondary to the overall polished presentation.
This object likely served both personal and ritual functions, used to contain precious oils or perfumes for daily grooming, anointing, or sacred ceremonies. Its refined material and careful execution reflect the value placed on aromatic substances in Israelite society and suggest ownership by an individual of some standing. Found in Jerusalem. Iron Age, First Temple Period (circa 10th–6th centuries BCE).
White slip Greek amphora with volute handles and stylized cylindrical body. Elongated and flared base tapers up towards vessel’s chamber. Mouth rises from narrow neck to a flared mouth.
This elegant ribbed glass bowl exemplifies the artistry and technical skill of early Roman glassmakers. Crafted from a rare aubergine-hued soda‑lime glass, the bowl presents a gently flared rim and a rounded, harmonious profile with a lustrous, weathered surface that reveals a rich, multicolored iridescence developed through centuries of natural burial conditions. Measuring approximately [dimensions available on request], it is a compact yet striking domestic vessel.
The most striking feature of the bowl is its pronounced vertical ribbing, which encircles the body and lends a rhythmic, tactile quality to the form. Two finely incised concentric lines around the midsection provide an elegant counterpoint to the ribs, demonstrating careful finishing by hand. The surface iridescence, a product of long-term chemical interaction rather than modern treatment, enhances the deep aubergine tone and accentuates the delicate interplay of light across the exterior.
The workmanship shows mastery of early glass techniques—likely mold‑forming for the ribbed body with subsequent hand incision—resulting in crisp, well-executed details and a smoothly rendered rim. The uncommon deep purple color and strong iridescent sheen mark this piece as a particularly refined example of provincial Roman glass production.
Likely used for both every day and display purposes, this bowl would have served as a functional domestic vessel and possibly as a valued item within a household’s tableware. Its durable glass, sophisticated surface effects, and rare coloration reflect both the aesthetic sensibilities and material culture of the early Imperial period. Found in Sabaste; early Roman, ca. 1st century AD.REFERENCE #
This elegant alabaster bowl exemplifies the artistry and craftsmanship of ancient Mesopotamian artisans. Crafted from fine, translucent alabaster, the bowl features a rounded, symmetrical form with a smooth, polished surface that showcases the natural beauty of the stone. Measuring approximately 12 cm in diameter and 7 cm in height, it is a compact yet finely detailed vessel.
The most striking feature of the bowl is its decorative banding, which encircles its exterior. These bands are composed of carved lines and geometric motifs, adding a sense of rhythm and harmony to the piece. The craftsmanship demonstrates a mastery of stone carving techniques, with precise incisions and smooth finishes that highlight the skilled artisanship of the period.
This vessel likely served both functional and ceremonial purposes, possibly used in ritual offerings or as a display piece in a noble or religious setting. Its durable alabaster material and sophisticated decoration reflect the high status of its owner and the cultural importance of craftsmanship in ancient Mesopotamian society.